Quote:
Originally Posted by givemethebeat  Guss, what you say is true to a point, however as a producer the studio does not lie and pro gear is a must have requirement to obtain a certain level of quality. So its not so much about the price as your have suggested but the sound. The only major problem is unless it is stolen or the seller has no clue, quality costs money.....
Its like guitarists who have fancy marshal amps with goodies as in twin 12" speakers in a combo with digi efx that they paid 1200 bucks for, or the guitarist who has a single 12 inch celestian valve combo with no Efx that was the same purchase price. Please don't try and say that there is no comparison.
It may come down to personal preference in sound at the end, however some education will assist in recognizing sound quality.
Also to clarify a point this is not a personal dig at your post but more of an expansion for the benefit of the community. |
I dont think its the no comparison its just the bad example(The only guitar i can identify is the Warlock, amp Squire practice).
Also pro gear is not for everyone(Death metal drummer using a Sabian HHX Ozone crash, can break faster with the amount of force givin), I just saying there is always the choice to up grade or stay at the lower cymbals,if you want to(or something like that).