Interesting, gives rise to a couple of thoughts. I had a Sig Series
Sonor bronze snare for nearly 20 years, weighed 15 kilos. What I realised when I sold it, was that it wasn't the metal sound I wanted but the wooden sound. I've experimented with metal snares, mostly aluminium, but have decided to sell them off as well and just settle on wood, more specifically, vintage sounding snares, such as the Keller Products Vintage Mahogany and Vintage Maple, both of which have Poplar in them.
I'm not a studio or stadium player, so snare buzz is pretty much a thing for my own ears. I'm sure that most of the time its heard positively (by my ears and others) as part of the overall sound of the kit. I certainly don't want to change the tuning on my toms to get rid of it (if that was the cause), not least of all because it will change the stick response, but others would choose to take that approach.
I imagine there is a world of difference between live and studio equipment 'tampering', both directly with the drums and in the engineering/technology/production of the sound.